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Single Review: Brad Paisley, "This is Country Music"

November 28, 2010 Kevin John Coyne 46

I don’t think there’s ever been a song that I’ve wished remained an instrumental as much as this one, as the gorgeous instrumentation, especially the fiddle, is the very best example of what the title claims.

But alas, our reigning Entertainer of the Year insists on tackling the title with lyrics, and it doesn’t end well. It doesn’t even begin well, with the ridiculous notion that country music is where you need to go to hear that Jesus is the answer, as it’s not afraid of rubbing folks the wrong way by saying so in a song. Michael W. Smith and countless Winans have made a career out of doing so without ever recording a country song.

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Gratitude

November 25, 2010 Kevin John Coyne 11

Growing up, Thanksgiving was my favorite holiday, and it’s still pretty high up there today. When I was younger, I loved it because it was the one day out of the year that the extended family was all in one place, gathered around what seemed like an endless table. Those days are long gone, so now I appreciate the concept as much as the actual day.

For one day a year, people actually take the time to reflect on what they’re thankful for and verbalize it. I wish we could make it a semi-annual event, maybe add another three or four day weekend. Who wouldn’t be grateful for that?

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Single Review: Kenny Chesney, “Somewhere With You”

November 20, 2010 Tara Seetharam 20

Following in the footsteps of Taylor Swift’s “Mine” and Tim McGraw’s “Felt Good On My Lips,” Kenny Chesney’s latest single sheds its country coat for, in his case, a mellow, strictly-rock groove. Though it’s a little edgier than usual, “Somewhere With You” finds Chesney doing what he’s built half his career doing: brooding. And it all looks and sounds a little “haven’t I heard this before?”…until the chorus hits.

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Discussion: Best Albums of 2010

November 19, 2010 Leeann Ward 58

It’s hard to believe, but we’re dangerously close to the end of 2010!

For record labels, this means that most of the major albums have been released for the year. Therefore, for Country Universe, this means that we’re preparing to begin the daunting process of compiling our Best of the Year lists, which includes best singles and albums of the year.

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Single Review: LeAnn Rimes, “Crazy Women”

November 11, 2010 Kevin John Coyne 17

Apparently wayward men make both honky tonk angels and crazy women, if LeAnn Rimes is to be believed.

This is a very cleverly written song, kicking off with the best opening line in recent memory: “Who’d have guessed that Aqua Net could start a fire with a single cigarette?”

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Single Review: Taylor Swift, “Back to December”

November 11, 2010 Kevin John Coyne 28

“It turns out freedom ain’t nothing but missing you.” So sings Taylor Swift on her new release, “Back to December.” It’s always a good sign when there’s a line as memorable as that one, the kind that lingers around in your head more than the song itself.

There isn’t another turn of phrase in the same league, but the rest of the song is pleasing enough. As usual, Swift is singing to a guy, but unlike most of her musical conversations with old flames, she lays the blame squarely on herself. I appreciate the restrained vocal, though a more varied melody would’ve made the chorus quite a bit more distinctive.

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CMA Live Blog 2010

November 10, 2010 Kevin John Coyne 261

WINNERS:

Entertainer: Brad Paisley

Female Vocalist: Miranda Lambert

Male Vocalist: Blake Shelton

Vocal Duo: Sugarland

Album: Miranda Lambert, Revolution

Vocal Group: Lady Antebellum

New Artist: Zac Brown Band

Song: “The House That Built Me” – Tom Douglas & Allen Shamblin

Single: Lady Antebellum, “Need You Now”

Music Video: Miranda Lambert, “The House That Built Me”

Musical Event: Blake Shelton & Trace Adkins, “Hillbilly Bone”

Musician: Mac McAnally

Correct Prediction Tally:

9: Dan,Tara

8: Leeann

7: Kevin

LIVE BLOG:

10:59 Brad deserved it last year, got it this year. Carrie deserved it this year, will hopefully get it next year. When the history list is written though, nobody’s gonna care which year they won in, just that they were acknowledged. So a good end to an okay night. – KC

10:58 Very, very pleased! And what a sweet, sincere moment. – TS

10:57 You know, I’m kind of relieved. Granted, Brad gave possibly the worst performance of the night and is generally not someone I like much, but I just didn’t feel like having to listen to a bunch of whining tomorrow about Miranda or Lady A or someone winning. – DM

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2010 CMA Awards: Staff Picks and Predictions

November 8, 2010 Tara Seetharam 30

When the nominees were announced in August for the 44th annual CMA Awards, they sparked a firestorm of headlines —and thoughtful commentary by critics and fans alike— thanks to the CMA voters’ surprisingly bold moves. It’s all about change this year, as the voters revamped the ballot with a slew of fresh faces in almost all of the big categories.

How will it all play out? We’ll know for sure on Wednesday at 8pm Eastern, but before Gwenyth Paltrow throws on her cowboy boots, check out our staff picks and predictions and join the discussion in the comments below. And be sure to drop by Wednesday night for all of the CU live blog madness!

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Starter Kit: Sara Evans

November 7, 2010 Kevin John Coyne 18

Sara Evans was one of the most successful female artists from the earlier part of the last decade, which was not a particularly good era for women as a whole. Her ease with both pop-flavored and purely traditional country allowed her to adapt to quickly changing trends in the genre.

This makes her catalog a fascinating one to sample. In compiling this Starter Kit, it would be easy to just list the hits. But I’ve left off some of her more overexposed tracks in favor of some gems that either didn’t quite dominate the charts or wasn’t sent to radio at all. I think her crossover numbers haven’t aged that well, anyway.

Be sure to let me know what I missed in the comment threads!

“Shame About That” from the 1997 album Three Chords and the Truth

The title track got all of the love, and the most airplay of the three low-charting singles from Evans’ debut album. But I think that this is the coolest little record, with Evans sounding like the female heir to Buck Owens as she can’t even feign sympathy for the ex who is now regretting his departure.

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