Country Universe

Women of the Decade

October 18, 2009 Kevin John Coyne 16

reba-mcentire Country Universe contributor and reader Cory DeStein flagged this rundown from Billboard regarding women on the charts this decade:

PERFECT 10: On Country Songs, Carrie Underwood ropes her 10th top 10, as “Cowboy Casanova” climbs 11-8. With the advance, Underwood now stands alone in first-place for most top 10s on the chart among solo women this decade.

Here are the solo females with the most top 10s on Country Songs since 2000:

10, Carrie Underwood
9, Faith Hill
9, Martina McBride
8, Taylor Swift
7, Sara Evans
7, Reba McEntire
6, Jo Dee Messina
5, LeAnn Rimes
5, Gretchen Wilson
4, Shania Twain

Notably, the artist who led the category among women last decade did so with almost three times as many top 10s. Reba McEntire ranked first among solo women in the ’90s with 27 top 10s on Country Songs. Trisha Yearwood placed second with 18 between 1990 and 1999, and Faith Hill, Patty Loveless and Tanya Tucker each posted 14 in that span.

The decline in fortune for women at radio this decade is even more pronounced when you compare the above top ten to the previous decade:

Say What? – Carrie Underwood

October 17, 2009 Kevin John Coyne 12

Carrie Underwood 09 As reported by Billboard, Carrie Underwood’s response to being offered a free copy of Miranda Lambert’s new album, Revolution:

No. I’m going to buy it.

Gotta love that!

Billboard’s been previewing some new tracks from Underwood’s upcoming third album, Play On. I’ve found “Temporary Home” and “Mama’s Song” to be far more promising previews of the new set than lead single “Cowboy Casanova.”

Check out the entire interview with Underwood here.

Review: Joe Nichols, “Gimmie That Girl”

October 14, 2009 Tara Seetharam 13

joenichols33-x600 Certain country songs have a vibe so inviting that you’re immediately pulled in – such is the case with “Gimme That Girl.” Its sound is fresh and almost organic, laced with a catchy beat and a charming sexiness that few male country artists can pull off.

Thematically, the song doesn’t tread unchartered waters with its “I love you just the way you are” sentiment, and it doesn’t pack a punch like some of Nichols’ previous singles. But he nails the warm, rich vocal performance, infusing the lyrics with just enough kick and swing to make them come alive. There are even a few endearing, stand-out lines: “Dancing around like a fool/starring in her own little show/gimme the girl that the rest of the world ain’t lucky enough to know.”

Review: Darius Rucker, “History in the Making”

October 13, 2009 Tara Seetharam 9

Rucker I have a weakness for songs that mix in elements of fate, particularly love songs. Like no other genre, the best country music has the ability to make me not only believe in but feel invested in the journey of a man and woman.

But to make this type of song effective, an artist has to deliver a touching if not stirring melody, one that has enough distinction to match the message. On the contrary, while “History in the Making” describes what could be a once-in-a-lifetime moment, the melody and production feel a dime a dozen. It’s the kind of character-less, movie soundtrack song you’ve heard before in various forms, in various genres. Even with a line as loaded as “What if this was that moment, that chance worth takin’?”, the booming chorus doesn’t feel powerful so much as it feels forced.

Review: Gretchen Wilson, “Work Hard, Play Harder”

October 12, 2009 Leeann Ward 17

There’s no doubt that Gretchen Wilson is very talented. She proved it with her smash debut song, “Redneck Woman”, which was a catchy rave up that joyously celebrated the less fine things in life. It easily struck a chord with a lot of people, due to its universal appeal (even men could champion the message) and its loud, but fresh, production. Wilson is also equipped with a voice that can sing a tender country ballad as adeptly as a country rocker like “Redneck Woman.” Unfortunately, radio has historically cast her as the party anthem, redneck woman and she has found it nearly impossible to escape the narrow typecast as a result.

As part of her relatively rapid decline in favor with radio, her major record deal resulted in the most recent casualty, which, in turn, has freed her to form her own record label. Interestingly, however, it seems that the move has not mentally freed her to make fresh sounding music. While “Redneck Woman” may have seemed fresh in 2004, it is categorically old news by now.

Daily Bargain: Willie Nelson, Phases & Stages

October 11, 2009 Kevin John Coyne 3

Willie Nelson became a superstar with the release of his now-classic 1975 concept album Red-Headed Stranger. But this wasn’t Nelson’s first, or even his best, concept album. In 1974, he released the absolutely brilliant Phases & Stages, which explored a dissolving marriage from the differing perspectives of the husband and the wife.

Several of Nelson’s best songs are included in this set, most notably “Bloody Mary Morning”, “Pretend I Never Happened”, and “It’s Not Supposed to Be That Way.” You can get this classic album for only $5.48 at Amazon’s MP3 store.

Win Rosanne Cash’s The List on CD and Vinyl

October 5, 2009 Leeann Ward 30

Update: Congratulations to our randomly selected (Random.org) winner, Sean. His favorite Rosanne Cash songs are “Seven Year Ache” and “September When It Comes.” Sean, you will be emailed soon for your contact information. Thank you to all who entered this contest.

Worst. Country Year. Ever.

October 2, 2009 Kevin John Coyne 84

Comic Book Guy I’ve just gotta ask: Is this the worst year ever for country music?

Forgive me, but I can’t remember ever being so uninspired and uninterested in mainstream country music as I have been this year. I started listening to country around 1991, so that would make this the worst of the nineteen years I’ve been listening to it.

Even the nineties artists have been limiting themselves to covers albums and even sequels. Not that some of those aren’t good projects, but what does a guy have to do to get a solid studio album these days?

The reissue market hasn’t been any better. Even the upcoming Dolly Parton box set is a disappointment, a collection that abruptly stops in 1993. A collection claiming to be definitive that ends with her Billy Ray Cyrus duet “Romeo” does not bode well.

Justin Moore, “Backwoods”

October 2, 2009 Kevin John Coyne 12

justin-moore-copy Empty barrels make the most noise.

Written by Justin Moore, Jamie Paulin, and Jeremy Stover

Grade: D

Patty Loveless, Mountain Soul II

September 30, 2009 Guest Contributor 35

patty_loveless_mountain_soul_ii

Inhabiting the highest pinnacle of artistic integrity must be a lonely place to dwell. Patty Loveless remains a commercial exile, of sorts for the crime of being “too country” for country radio and TV. But Loveless is undistracted by the trendy and continues to adhere to her artistic vision, making music that matters, music of enduring merit, music that would make her Appalachian ancestors very proud. Music like her current offering, Mountain Soul II.

Back in 2001, her acclaimed Mountain Soul set a very high standard for artistic achievement. This shining original is a unique blend of Country, Bluegrass and Mountain music. It is a heartfelt tribute to her parents, especially her coal-miner father, and the Appalachian music that nurtured and sustained their family through many tribulations.

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