Easton Corbin
Easton Corbin
There has been a fair amount of positive hype surrounding newcomer, Easton Corbin, as of late. He has been lauded as the next George Strait (not that George Strait is going anywhere quite yet, by the way!). Since he isn’t afraid to prominently feature the steel guitar on his self-titled debut record, such comparison is natural if not justified, though Corbin’s voice is not yet as strong as Strait’s.
Lipstick Promises
George Ducas
1994
Peak: #9
Written by George Ducas and Tia Sellers
One hit wonders were once an anomaly in country music. The nineties changed that, as the massive commercial success of the genre inspired more labels to get into the game. The result was more artists than country radio could ever play regularly, so even a breakthrough top ten hit was no longer enough to get radio to automatically give the next single a shot.
George Ducas was one of the earliest casualties of this new era. With a voice like Dwight Yoakam with a touch of Raul Malo, Ducas showed tremendous promise as a singer-songwriter. There’s a beautiful melancholy to his performance of “Lipstick Promises.” It’s the tale of a man who has been blinded by beauty and ends up being burned by his unfaithful lover.
We proceed.
#20
Taylor Swift, “You Belong with Me”
Teen-pop perfection, bursting with personality and unshakable hooks. – Dan Milliken
#19
Keith Urban, “‘Til Summer Comes Around”
There’s nothing quite as lonely as a carnival that has shut down, except for being alone at a carnival, surrounded by everyone but the love who has left you behind. – Kevin Coyne
#18
Lady Antebellum, “I Run to You”
Sheer passion and pulsing energy from start to finish. – Tara Seetharam
Here are the top selling country albums of the calendar year 2009. The number in parentheses is the album’s rank on the overall list encompassing all genres. The totals are rounded to the nearest thousand:
The Three Bells
The Browns
1959
Written by Dick Manning, Bert Reisfeld and Jean Villard
The structure of “The Three Bells” should be familiar to any listener of contemporary country music. A genre that prides itself on its simplicity is ambitious enough to tell an entire life story in under four minutes. It’s an approach that has created several classic singles like “Where’ve You Been” , “Time Marches On” and “How Can I Help You Say Goodbye.”
One of the most significant historical examples of this structure comes from The Browns, who had a massive crossover hit with their 1959 single “The Three Bells.” It’s a simple tale. The church bells ring three times throughout the course of Jimmy Brown’s life: on the day of his baptism, the day of his wedding, and the day of his funeral. The preacher has words of wisdom for each occasion, ones that would be familiar to any Christian churchgoer, Catholic or otherwise.
That the character shares the same name as lead singer Jim Ed Brown and takes place in a little country town might lead you to believe that this was a song of Nashville origin, but it actually began its life and its worldwide success in France as the story of Jean-François Nicot. Originally written in French, “Les Trois Cloches” was an international hit for Édith Piaf, the songstress that was recently immortalized in the film La Vie En Rose. The Browns, composed of siblings Jim Ed, Maxine, and Bonnie, had been performing the song since seeing it Les Campagnons de la Chanson performing an English-language version on the Ed Sullivan Show in 1952.
#20
“Not Ready to Make Nice”
Dixie Chicks
2006
Peak: #36
It’s easy to label this as a transitory response of a song, whose quality is stamped by context and time, but to do so is to undermine its carefully crafted layers of universal emotion. Anger is only the outer coating of the song – beneath it lies a tender-to-the-touch complex of feelings: pain and disgust, confusion and resolve, stubbornness and defeat. “Not Ready to Make Nice” may always recall a certain unfortunate episode in country music history, but its theme – that there’s a price to pay for standing up for what you believe – is timeless. – Tara Seetharam
#19
“Probably Wouldn’t Be this Way”
LeAnn Rimes
2005
Peak: #3
A striking portrait of grief that alternates between phases of desolation, disillusionment and gratitude. Rimes’ interpretation of the lyrics is chillingly precise. – TS
The 201 Greatest Singles of the Decade, Part 9: #40-#21
#40
“This Is Me You’re Talking To”
Trisha Yearwood
2008
Peak: #25
Flawless. Proof positive that the nineties formula at its best is better than anything on naughties radio. Perhaps they can’t play it too much for that reason. It’s not good for business to park a new Lexus in a used car lot of Ford Pintos. – Kevin Coyne
#39
“Famous in a Small Town”
Miranda Lambert
2007
Peak: #14
This is one of those slice-of-life songs that anyone from a small town can easily relate to. What sets it above the pack of songs of that ilk is the witty nugget of truth that “everybody dies famous in a small town.” The Springsteen-esque vibe of the production is pretty cool, too. – Leeann Ward
The 201 Greatest Singles of the Decade, Part 8: #60-#41
#60
“Long Trip Alone”
Dierks Bentley
2006
Peak: #10
In a perfect world, this would be this decade’s wedding standard. – Kevin Coyne
#59
“Your Man”
Josh Turner
2005
Peak: #1
Lush baritone against an effortlessly charismatic, enticing invitation to let Turner be “your man.” How can you resist? – Tara Seetharam
The 201 Greatest Singles of the Decade, Part 7: #80-#61
#80
“When Somebody Loves You”
Alan Jackson
2001
Peak: #5
A treasure of a love song. Contrasted stunningly with modest accompaniment and vocals, the song’s message is that of love’s sublime ability to transform one’s life and bring light to dark. – Tara Seetharam
#79
“Separate Ways”
Rick Trevino
2007
Peak: #59
“Separate Ways” is an instructive narrative of a couple who did everything together, but “the last thing they did together was go their separate ways.” Fortunately, the song’s narrator learns from his parents’ divorce and wisely applies its valuable lesson to his own relationship. – Leeann Ward
The 201 Greatest Singles of the Decade, Part 3: #160-#141
#160
“Last Call”
Lee Ann Womack
2008
Peak: #14
Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken
#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9
Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne
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