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Top 40 Singles of 2011, Part Two: #30-#21

January 2, 2012 Kevin John Coyne 2

The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!

Top 40 Singles of 2011, Part Two: #30-#21

#30
Revelation Road
Shelby Lynne

Individual Rankings: #5 – Jonathan

It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe

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Top Twenty Albums of 2011, Part Two: #10-#1

December 31, 2011 Kevin John Coyne 4

Our annual list concludes with a look at our ten favorite albums of 2011.

Check out Part One to see #11-#20, and look for our countdown of the year’s best singles tomorrow.

Top Twenty Albums of 2011, Part One: #10-#1

#10
Lady & Gentlemen
LeAnn Rimes

On the surface, Lady & Gentleman is a concept album, flying in the face of a genre whose gender bias sometimes feels like the elephant in the room. But as with the best concept albums, it’s not the concept that carries it. With her most thoughtful, vocally mature performances to date, Rimes herself is the heartbeat of the set, deftly navigating the songs with a blend of reverence and fearlessness.

And she has plenty of room to shine: rather than trying to rebirth a collection of classics, Rimes and her team tastefully reinvigorate the songs with production risks (“Swingin’”), lyrical twists (“Good Hearted Women”) and the occasional overhaul (“When I Call Your Name”). The result is an album that stands neither as a tribute nor as a statement, but as a unique body of work that earns its merits all on its own. – Tara Seetharam

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Album Review: Scotty McCreery, Clear as Day

October 25, 2011 Ben Foster 14


Scotty McCreery

Clear as Day

In listening to American Idol winner Scotty McCreery’s debut album, it becomes all too clear that either McCreery is being carefully reared by the unabashedly commercial-minded execs of 19 Entertainment… or that he simply enjoys playing follow-the-leader. The former is most likely, but almost every track on Clear as Day sounds like an emulation of the style of one of country radio’s favorite hitmakers. We get to hear Scotty McCreery play Montgomery Gentry. We get to hear Scotty McCreery play Kenny Chesney. But there are precious few moments in which it sounds like Scotty McCreery is being Scotty McCreery.

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Retro Single Review: George Strait, “Let’s Fall to Pieces Together”

October 16, 2011 Dan Milliken 0

1984 | Peak: #1

One of those great country titles that says it all upfront.

Unfortunately, it’s also one of those country titles that carries an entire song. The melody here lands just shy of memorable, and ditto to the story, which never takes its characters deeper than their charming first encounter at the jukebox. (Instead it does that annoying second-verse thing where it just rephrases the chorus and spells out a few obvious inferences the listener has already made.)

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