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Best Country Singles of 2009, Part 1: #40-#21

January 5, 2010 Dan Milliken 16

Here’s hoping you haven’t gotten completely burned out on countdowns yet. 2009 was hardly a favorite musical year for many of us, but amid each year’s glut of throwaway items, there’s always a good’un or two (or forty). The following is the first installment of our Best Singles of 2009 list, which will conclude tomorrow morning. Best Albums will follow next week.

As with the Singles of the Decade feature, this countdown has been compiled through combination of four equally weighed Top 20 lists by Kevin, Leeann, Tara and myself. An inverted point system was applied to the individual rankings (#1 on a list meant 20 points, while #20 on the list meant 1 point). The songs were then ranked together by number of total points, greatest to least. The final result is another rather stylistically diverse set.

As always, we hope you enjoy the countdown, and welcome all the feedback you can muster. Happy New Year!

#40

Lady Antebellum, “Need You Now”

The trio puts a country spin on an old school pop sound, but without forsaking raw emotion. The highlight of the song is Hillary Scott’s smoky performance, which draws out all the anguish and regret you’d expect from a desperate, 1 AM lover’s call. – Tara Seetharam

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Top-Selling Country Albums of 2009

January 4, 2010 Kevin John Coyne 16

Here are the top selling country albums of the calendar year 2009. The number in parentheses is the album’s rank on the overall list encompassing all genres. The totals are rounded to the nearest thousand:

  1. Taylor Swift, Fearless (1) – 3,157,000
  2. Zac Brown Band, Foundation (15) – 1,243,000
  3. Carrie Underwood, Play On (19) – 1,150,000
  4. Rascal Flatts, Unstoppable (21) – 1,123,000
  5. Lady Antebellum, Lady Antebellum (24) – 948,000
  6. Jason Aldean, Wide Open (27) – 940,000
  7. Darius Rucker, Learn to Live (31) – 849,000
  8. Taylor Swift, Taylor Swift (36) – 766,000
  9. Keith Urban, Defying Gravity (38) – 715,000
  10. Sugarland, Love On the Inside (41) – 678,000
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Review: Love And Theft, “Dancing in Circles”

January 4, 2010 Dan Milliken 8

I was less than generous to this group’s Bon Jovi-lite (and that’s some serious lite) debut, “Runaway,” but damn if its infectious melody didn’t weasel into my brain anyway. Not unlike Lady Antebellum and Gloriana, Love and Theft show a real aptitude for sugary AC-pop melodies wrapped up in slick harmonies, with their only major recorded weakness being their bland, somewhat vacuous lyrics.

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The 201 Greatest Singles of the Decade, Part 1: #201-#181

December 13, 2009 Kevin John Coyne 19

hourglassThis was the decade that brought back the single. Not that it ever fully went away, as radio still played the promotional ones and video outlets the filmed ones. But actual commercial singles had gone the way of the dodo, until the digital revolution suddenly made them practical again. Why buy the whole album when you can just get the song that you want?

The devastation this has brought to record company bottom lines was probably unavoidable anyway, given the realities of post-Napster society. But technology has its perks. Now you can buy the songs on this list with a click of our mouse!

And what a list it is: 201 singles that run the gamut, from genuine hits that topped the charts to songs spun only by renegade DJs working the night shift. Here’s how we compiled it: four Country Universe writers ranked their personal favorite 100 singles, with an inverted point system applied (#1 on a list meant 100 points, while #100 on the list meant 1 point.) The songs were then ranked by number of total points, greatest to least. Ties were broken by the number of lists the song appeared on, then by highest individual ranking.

There was more consensus than usual for CU, and we all agreed on one thing: this list was a heck of a lot of fun to compile. We hope you enjoy it, too!

The 201 Greatest Singles of the Decade, Part 1: #201-#181

201 Lady A

#201
“I Run To You”
Lady Antebellum

There’s a palpable intensity to this song that grips me every time I listen to it. Love isn’t always characterized by peacefulness, and the song’s pulsing production perfectly conveys the urgency, desperation and passion that often accompanies it. – Tara Seetharam

200 Patty Strong

#200
“The Last Thing on My Mind”
Patty Loveless

Given her allegiance to country music’s history and personal association with both Porter Wagoner and Dolly Parton, you might think this was a cover of that duo’s first top ten hit. Instead, it’s a very modern-sounding song with a modern-day woman who never thinks about the guy she’s left behind until right before she goes to sleep, when “something in my broken heart rewinds” as she lies in an “empty bed as big as Arkansas.” – Kevin Coyne

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The 100 Greatest Albums of the Decade, Part 5: #60-#51

December 4, 2009 Kevin John Coyne 16

The 100 Greatest Albums of the Decade, Part 5

bruce robison country sunshine

#60
Bruce Robison, Country Sunshine

One of modern country’s little-known heroes, Robison has built a career on simple songs of unusually strong focus, voice and insight. His strongest collection of this decade mainly explores love at its point of disenchantment, with characters sitting at various fallouts pondering who’s to blame, who used who, or why the feelings aren’t requited. Not so much Sunshine, then, but quite a bit of Country. – Dan Milliken

Recommended Tracks: “Friendless Marriage”, “What Would Willie Do”, “Tonight”

59 Rascal

#59
Rascal Flatts, Feels Like Today

The group has yet to hit the nail on the “Rascal Flatts” head again like they did with this country-pop album – a collection of powerful, melody-driven songs on which Gary LeVox manages to tastefully reign in his tenor. When paired with the right material, the Flatts boys can emote like it’s nobody’s business, resulting in soaring, genuine performances. – Tara Seetharam

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CMA Awards: Predictions and Personal Picks

November 8, 2009 Kevin John Coyne 83

The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.

brad-paisleyEntertainer of the Year

Should Win:
  • Kenny Chesney
  • Brad Paisley – Leeann, Tara
  • George Strait
  • Taylor Swift – Kevin, Dan
  • Keith Urban
Will Win:
  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann, Tara
  • George Strait
  • Taylor Swift – Dan
  • Keith Urban
Kevin: Much like the field finally cleared for him in the Male Vocalist race two years ago, I expect that this is Paisley’s year to win with his sixth nomination. I think Taylor Swift deserves to win, though. There’s no getting around the fact that she’s the biggest thing out there right now.

Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.

Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.

Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.

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The Worst Singles of the Decade, Part 1: #50-#41

October 21, 2009 Kevin John Coyne 61

Worst SinglesAs we begin our look back on the last ten years in country music, we’re starting with the bottom. Over the next few days, you’ll be reading about the worst that country music sent to radio in the 2000s, much of which they actually played.

But first, a disclaimer. This list makes no attempt to objectively list the worst singles of the decade. If that’s what I was going for here, I’d just post a collection of homemade tracks and twenty Rascal Flatts singles and call it a day. Instead, this list takes a broader view, including songs from accomplished artists that were just disappointing, copycat and fad-chasing numbers, and just plain old mediocre efforts.

This isn’t the type of thing we normally do, but I’m sure I’ll hear what I’m right about, what I’m wrong about, and what I forgot to include in the first place! Look for the best-of lists to follow as the year starts winding down.

The Worst Singles of the Decade, Part 1: #50-#41

#50
Mark Wills, “19 Somethin'”

Pick a decade, man.

#49
Toby Keith, “Who’s Your Daddy?”

The biggest casualty of Keith’s ascent to superstardom was his quality check. When your label lets you put out anything and radio goes ahead and plays it, the blame must be spread around for such silliness as this.

#48
Halfway to Hazard, “Daisy”

In which a girl’s sole reasons for existing are to make a boy a man, lead him to God, and give him a child. After that, you can just kill her off in the final verse. This is why people hate country music.

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Producing the CMAs

August 19, 2009 Guest Contributor 12

This is a guest contribution by regular commenter, Michael Hawkins, who posts as Highwayman3.

CMAThe movies have the Oscars, the world of music has the Grammys, and that world subdivided into the country genre has the CM’s—the annual extravaganza that we fans look forward to every year. We see our favorites perform, win awards and lose with smiling gracious faces, or not [insert the inevitable Faith Hill reference here]. Everyone picks their favorites in each category as to who they’d like to win. But what about the show itself, the backdrop for which these prestigious awards are presented?

Recently, there have been posts at both The 9513 and on this site where people have been weighing in on their favorite moments from these awards. It occurred to me that none of those moments have happened in the last few years. The awards have slid into mediocrity, which is a fitting representation of the current state of country music. I understand producing these awards must be tough because you have to be everything to everyone, and acknowledge the traditional country, the Disney country, the old and new alike, and bring in people who don’t belong for the sake of ratings.

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Lady Antebellum, “Need You Now”

August 16, 2009 Leeann Ward 43

lady-antebellum-and-a-chairSometimes, it’s tough to know exactly how to fairly evaluate a song, especially one that I like, but know full well is not rooted in country music in any way. Such is the case with Lady Antebellum’s new single that is set to appear on their second album yet to be released.

So, in this rare instance that I like a song that sounds like it would fit nicely on an easy listening station rather than a country station or even a rock station, I will simply extend just that caveat before proceeding any further. This is not a good country song, but it is a fairly decent song in general terms.

main Lady A singers, Hillary Scott and Charles Kelly, join together to offer up a sonically pleasing song with a solid vocal performance and pleasant melody. While “Need You Now” could still benefit from better development, it is lyrically superior to its predecessor, the clichéd “I Run to You.” Sung as a straight duet, Scott and Kelly sing of a codependent relationship that is propelled by loneliness and being “a little drunk.”. “Guess I’d rather hurt than feel nothing at all.” they admit.

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Picking the CMA Nominees: Vocal Duo and Vocal Group

July 30, 2009 Kevin John Coyne 34

It’s often argued that Vocal Duo and Vocal Group should be combined into one category, but this is one of those rare years where the two categories have more than five worthy nominees between them.

My picks for Vocal Duo:

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland

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