Marty Stuart
CMA Awards: Entertainer of the Year (1967-2013)
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
1967
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
CU's Top Albums of 2012
As reflected by the title of our web site, our choices for Top 40 Albums of 2012 span the farthest reaches of the country music universe. In previous years, the Country Universe staff has counted down twenty albums and forty singles, but this year our album picks included such a wide variety that we were able to stretch our Top Albums countdown to a full forty slots. What did we miss? That’s where you, our readers, come in. Please join in the discussion, and share which albums you had in heavy rotation over the past year.
#40
The Garden of Love – Songs of William Blake
Martha Redbone Roots Project
100 Greatest Men: #42. Porter Wagoner
100 Greatest Men: The Complete List
Known affectionately as the Thin Man from the West Plains, Porter Wagoner was a steadfast champion for the traditions of country music, even as he used forward-looking methods of delivering it to the masses.
Album Review: Marty Stuart, <i>Nashville, Vol. 1: Tear the Woodpile Down</i>
Marty Stuart
Nashville, Vol. 1: Tear the Woodpile Down
The casual listener may remember Marty Stuart for the string of country radio hits he enjoyed in the late eighties and early nineties. However, Stuart’s legacy was cemented by groundbreaking projects released after his commercial heyday had drawn to a close, particularly 1999’s landmark The Pilgrim as well as 2010’s career-best effort Ghost Train: The Studio B Sessions. Through such critically lauded work Stuart has built up a reputation as an elder statesman of country music, acting to preserve country music’s heritage and traditions, while simultaneously working to move the genre forward.
Top Twenty Albums of 2011, Part One: #20-#11
The country music umbrella stretched wider than ever this year, regardless of the fact that radio playlists seem shorter than ever.
Of course, it’s not just the Americana acts that can’t get radio play these days. Even top-selling albums by Scotty McCreery and Alison Krauss & Union Station weren’t embraced.
Country Universe editors and contributors each submitted a list of their ten favorite albums of 2011. 31 different albums were included on our lists, and over the next two days, we’ll share with you our collective top twenty.
Top Twenty Albums of 2011, Part One: #20-#11
#20
Beat the Devil and Carry a Rail
Noam Pikelny
His tenure with the Punch Brothers and his winning of the first annual “Steve Martin Prize for Excellence in Banjo and Bluegrass” in 2010 both earned Noam Pikelny the clout to release Beat the Devil and Carry a Rail, his second solo album and first since 2004. Joined by an all-star roster of fellow pickers, Pikelny’s mostly instrumental set is a showcase both for its lead artist’s extraordinary technical skills and for the banjo’s wide-ranging potential. – Jonathan Keefe
100 Greatest Men: #85. Marty Stuart
100 Greatest Men: The Complete List
He enjoyed a brief period of radio success, but Stuart’s legacy was cemented when he left the commercialism behind and embraced the country concept album.
Album Review: Connie Smith, Long Line of Heartaches
Connie Smith
Long Line of Heartaches
Connie Smith is hailed by many as the best vocalist in country music history, and that distinction is clearly warranted. When it comes to tone, phrasing, and vocal power, the woman has no equal. In listening to Long Line of Heartaches, her first album of new material since 1998, it would be a great understatement to say that she is still in fine voice. Her voice may have picked up a few rough edges over the years, but she still posses more than enough vocal chops to blow today’s hitmakers out of the water.
The 30 Day Song Challenge: Day 14
Today’s category is…
The First Song You Remember Liking.
Here are the staff picks:
Tara Seetharam: “She’s Not Cryin’ Anymore” – Billy Ray Cyrus
Cyrus released “Achy Breaky Heart” when I was seven years old, and I fell for it. The upside? My mom bought me his Some Gave All cassette tape, and I fell in love with “She’s Not Cryin’ Anymore.” It was the first song in my life to grip me with emotion, which would later come to define my bond with music.
