In a long, fascinating interview with the Houston Press, Vince Gill was asked about the recent controversy involving female artists and country radio. Here’s what he had to say: “That’s one of the greatest tragedies in this stretch of life for me,” Gill says. “Because I’ve been inspired as much or more by women artists, equally, than I have as men. So if there’s only a couple that are getting the opportunity to really knock it out of the park at radio, then you just go, “What about Patsy Cline/Kitty Wells/Tammy Wynette/Loretta Lynn?’ “I could go on and on and on and on and name you about 50 great female artists,” Gill continues. “And I don’t know why that is. To me, they’re making much more…interesting records. They’re saying more things I’d prefer to hear, lyrically and song-wise, and that’s compelling. This Ashley Monroe kid, she writes songs like she’s Read More
We’ve all got ’em. What are the five albums from artist you love that you try to pretend didn’t happen? (Or at least just don’t copy over to your iPod) Here’s my list: Sugarland, The Incredible Machine Tim McGraw, Emotional Traffic Trisha Yearwood, Where Your Road Leads Dolly Parton, Rainbow Randy Travis, Full Circle
Once again, technical difficulties derailed yesterday’s Daily Top Five. So we’re doubling down today. Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets? The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.” But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill. So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t. What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals? Here are mine: Top Five Duets Porter Wagoner & Dolly Parton, “The Last Thing on My Mind” Loretta Lynn & Conway Twitty, “After the Fire is Read More
Today is International Women’s Day. Historically speaking, country music has never enjoyed a reputation for being socially progressive. For the general public, the definitive statement the genre made was “Stand By Your Man.” That Tammy Wynette classic is often cited as country music’s counterpoint to the women’s liberation movement, although Wynette wrote the thing in fifteen minutes without any agenda in mind. She just needed a song to sing. I generally consider the classic country era to have ended with the seventies, preceding the Urban Cowboy and New Traditionalist movements. What follows are some of the best deliberate statements made by country artists during those years in support for women’s rights. Some were big hits. Some were not. But they were all ahead of their time and are still interesting to listen to today.
Rhiannon Giddens Tomorrow is My Turn Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn, that Giddens truly announces herself as an artist. On a shrewdly chosen collection of songs that draw from a diverse sample of American roots music, Giddens and producer T Bone Burnett showcase a fearless approach to genre that never once allows easy signifiers to interfere with her forceful and intuitive interpretations.
2014 was a banner year for country music albums. In addition to the predictably solid entries from the Americana, folk, and bluegrass scenes, some excellent albums also surfaced from the unlikeliest of sources: mainstream, radio-friendly contemporary country artists! Here are our twenty favorite albums from 2014. Fingers crossed that 2015 is as good or better than this year has been. #20 Jennifer Nettles That Girl KJC #8 | LW #16 A confident, intelligent solo project that washes away all of the bitter taste left by Sugarland’s preceding studio album, The Incredible Machine. Nettles manages to remind us what was so appealing about the trio-turned-duo in the first place, while also staking out her own musical territory that has room for independence anthems alongside wry, humorous commentary on society and, of course, palpably vulnerable heartbreak numbers. – Kevin John Coyne Recommended Tracks: “Me Without You”, “Know You Wanna Know”, “Jealousy”
As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year. How many of those albums, however, will we still be listening to in twenty years? We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year. At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago. What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into Read More
Our Best of 1994 Singles List kicks off today with the bottom quarter of our top forty. The list was compiled by weighing each individual writer’s choices, with preference given to songs that appeared on multiple lists. Each writer’s individual ranking is listed under the songwriter credits. Bonus retro fun: Check out those cassette singles covers! #40 “Livin’ on Love” Alan Jackson Written by Alan Jackson SG #14 | JK #23 | BF #37 Country music has, historically, given voice to those disenfranchised by poverty, validating and finding the value in the struggles of economic hardship. What elevates the appropriately bare-bones narrative of “Livin’ on Love” is the warmth and real sense of empathy in Jackson’s performance. – Jonathan Keefe
Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music. This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory. His win for Entertainer saved a dismal show in its closing minutes. Here’s our take on this year’s contenders: Entertainer of the Year Should Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Kevin, Jonathan, Tara, Ben Keith Urban Will Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Jonathan, Kevin, Tara, Ben Keith Urban Kevin: I’d settle for a Miranda Lambert victory, as she had an amazing year. But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert. The rest of these nominees have either won before or still seem to Read More
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.