Kevin John Coyne

Worst. Country Year. Ever.

October 2, 2009 Kevin John Coyne 84

Comic Book Guy I’ve just gotta ask: Is this the worst year ever for country music?

Forgive me, but I can’t remember ever being so uninspired and uninterested in mainstream country music as I have been this year. I started listening to country around 1991, so that would make this the worst of the nineteen years I’ve been listening to it.

Even the nineties artists have been limiting themselves to covers albums and even sequels. Not that some of those aren’t good projects, but what does a guy have to do to get a solid studio album these days?

The reissue market hasn’t been any better. Even the upcoming Dolly Parton box set is a disappointment, a collection that abruptly stops in 1993. A collection claiming to be definitive that ends with her Billy Ray Cyrus duet “Romeo” does not bode well.

Justin Moore, “Backwoods”

October 2, 2009 Kevin John Coyne 12

justin-moore-copy Empty barrels make the most noise.

Written by Justin Moore, Jamie Paulin, and Jeremy Stover

Grade: D

September

September 27, 2009 Kevin John Coyne 15

There’s a certain sadness to the month of September. The first hints of fall feel like the beginning of the end, as summer warmth tuns to autumn chill. Perhaps that’s why there are so many great songs about this time of year, nearly all of them tinged with sadness.

For me, “September When it Comes” is the most beautiful example of this theme. The track was recorded by Rosanne Cash and Johnny Cash just months before he passed away. The song eerily foreshadowed his death, which would come to pass that very September:

Rosanne Cash featuring Bruce Springsteen, “Sea of Heartbreak”

September 20, 2009 Kevin John Coyne 10

rosanne-cash_12 Rosanne Cash previews her collection of classic popular songs with a spin on the Don Gibson classic “Sea of Heartbreak.” The impact of Cash’s music usually depends on her incisive songwriting, but she’s had success in the past with well-chosen covers.

Her take on “Sea of Heartbreak” works because of her restrained delivery, with the light and floaty arrangement suggesting that these are calm waters. The undercurrent of grief reveals itself through the guest appearance of Bruce Springsteen. His ragged vocal provides a strong contrast to Cash’s sweet delivery.

The resulting record turns a song that all of us have heard countless times before into something new. That’s always the challenge that needs to be met when covering a standard, so this is a promising preview of Cash’s upcoming set.

Bomshel, “19 and Crazy”

September 20, 2009 Kevin John Coyne 17

bomshel At the intersection of Taylor Swift’s present-tense teenage angst and Kenny Chesney’s trademark “those were the good old days” rememberings of carefree youth, you’ll find the new Bomshel single.

They’re old enough to be looking back on being 19 and crazy, but aren’t quite so old that those days seem completely idyllic. There’s a refreshing perspective here that those days were just stepping stones toward becoming who they are today. While they seem to say that they’d love to be 19 and crazy forever, the fact that they’re already figuring out how to explain that tattoo to their future children suggests that they’re not quite so eager to turn back the hands of time.

The song has an incessant driving beat that straddles the fence between urgency and just plain annoyingly fast. Also, like just about all the B-list singles out there these days, there’s far too much going on in the production. It would be nice to see more producers in Nashville show their confidence in the artist and the song by easing down on the clutter, but you’d have to be 19 and crazy to think that has a chance of happening.

Tim McGraw, “Southern Voice”

September 16, 2009 Kevin John Coyne 10

tim_mcgraw File this under great moments of incongruity:

Tim McGraw records an entire song celebrating the “Southern Voice” by listing the contributions of everyone from Jerry Lee Lewis to Rosa Parks against a musical backdrop that is virtually indistinguishable from the New Jersey sound of mid-80s E Street Band.

Perhaps there’s an intended reference in the production to the pollination of art and culture that goes back and forth over the Mason-Dixon line. More likely, Tim and his band just like to rock it out. The list of names included is so broad that it’s hard to discern any larger message here other than “Hey! We’re from the south! We rule!”

Beatlemania, Nashville Style

September 12, 2009 Kevin John Coyne 19

Beatles I’ve been working my way through the Beatles Remasters that were released earlier this week, thoroughly enjoying myself in the process. As I listened to Help!, I heard Ringo Starr doing his best Buck Owens imitation as they covered “Act Naturally.”

It’s pretty darn cool that the Beatles covered Buck Owens, and plenty of country artists have returned the favor ever since. With the Beatles all over the media these days, it seems as good a time as any to look back on some of country music’s biggest and best takes on the Beatles catalog:

Rosanne Cash, “I Don’t Want to Spoil the Party” and “I’m Only Sleeping”

Cash is the only country artist to score a #1 hit with a cover of a Beatles song, as her take on the Beatles For Sale track “I Don’t Want to Spoil the Party” became her eleventh and final #1 hit in 1989. An even better listen is her take on “I’m Only Sleeping” from her Retrospective release. It doesn’t hurt that it’s a much better song than “Party”, pulled from Revolver, arguably the best album the Beatles ever made.

Nickel Creek, “Taxman”

This progressive bluegrass band sounds great on record, but you don’t really get the full experience of their talent until you’ve seen their live show. Perhaps all of those royalties from their platinum-selling debut album pushed them into a higher tax bracket, as “Taxman” – another Revolver highlight – soon became a staple of their live shows.

She Works Hard For the Money. So Does He.

September 7, 2009 Kevin John Coyne 12

Billie Jo Spears Sing for the common man and heaven help the working girl. Country music is full of songs about the working folk. The ones that work a 40 hour week for a livin’, the ones that worked all night in the Van Lear coalmine, the ones who did what they had to do because they didn’t want to let Mama down. Hey, even a girl named Fancy has gotta pay the bills.

In honor of Labor Day, I’m putting y’all to work. What are you favorite songs about working?

I’ll go with one of the somewhat Billie Jo Spears classic “Mr. Walker, It’s All Over,” a #4 hit from 1969. Check it out after the jump, and add your own favorites in the comments!

Carrie Underwood, “Cowboy Casanova”

September 6, 2009 Kevin John Coyne 68

It’s been well established by this point that Carrie Underwood’s eighties pop/rock runs deep in her musical roots. Being part of the MTV generation, this isn’t surprising, as the days of country artists who were only exposed to country music are long gone.

Underwood draws on those roots more than she’s ever done on a traditional single, but fans from her Idol days will have flashbacks to her star-making performance of “Alone” when they listen to “Cowboy Casanova”, as Carrie does her very best to channel Ann Wilson and often pulls it off. I have to say that the verses are catchier than the chorus, though, and if you’re going to do eighties power pop, you need a stronger, bigger chorus.

Craig Morgan, “Bonfire”

September 6, 2009 Kevin John Coyne 3

It’s hard to fault Craig Morgan for recording yet another “we’re a bunch of rednecks having a good time” anthem. Such songs have been his bread and butter.

But it’s quite easy to fault him for taking a page from the Jason Aldean playbook and screaming the whole song. Morgan is not a country-rocker, and can’t even pull of being a wannabe country-rocker. His charm has always been his too country twang, a vocal style that you can usually only hear on the bluegrassiest of bluegrass records. When he sings a song like “A Little Bit of Life” or “Redneck Yacht Club”, you can actually hear his big goofy grin.

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