Single Reviews
5 Five-Second Single Reviews: Trace Adkins, Jason Aldean, The Dirt Drifters, OCMS, Darius Rucker
Trace Adkins, “Just Fishin'” (Listen)
Written by Casey Beathard, Monty Criswell and Ed Hill
Wish this weren’t quite so heavy-handed about driving home the theme; a subtler approach could have made it a Strait-ish classic. Still a nice, fresh idea, though.
Single Review: Dolly Parton, “Together You and I”
When Dolly Parton writes a song, chances are it’s going to be a great one. Only Merle Haggard and Willie Nelson rival her in that regard.
“Together You and I” is no exception to the rule. It’s a beautiful love song, with imagery that’s sweet without being sappy. She sings it wonderfully, with those little trills that have caused more goosebumps in the past forty years than a million cool breezes on warm summer nights.
Single Review: Brad Paisley & Carrie Underwood, “Remind Me”
A couple yearning to rekindle the fire in their relationship? Classic country. One asking the other if he/she remembers the old passion and the other chiming in “remind me”? That’s pretty good, too – and genuinely sexy in a way neither Brad Paisley nor Carrie Underwood has ever been on record. There’s no doubt that this single was loaded with potential.
5 Five-Second Single Reviews: Laura Alaina, Rodney Atkins, Sara Evans, Joe Nichols, Kellie Pickler
Lauren Alaina, “Like My Mother Does” (Listen)
Written by Nathan Chapman, Liz Rose and Nicole Williams
Not bad, but not nearly enough to acquit her from those pending desecration charges.
Single Review: Scotty McCreery, “I Love You This Big”
Any review of this single anywhere is like begging for site traffic from impassioned fans/haters. I don’t do nearly enough favors for Country Universe most of the time, though – so allow me to greet you down on my knees, Scottyfolk.
A preface: I didn’t watch this past season of American Idol, so this single is basically my first exposure to its winner, and I feel no sour grapes that he beat out So-And-So or What’s-Her-Face, and I don’t care about his adorable TV backstory or any of that. The only metric I’m using is whether “I Love You This Big” sounds like something I’d want to hear on the radio between “Teenage Daughters” and “Amen.”
