Break out the eye-drops, gang, this one’s a longread!
It’s All Good
It’s impossible to review an album titled It’s All Good without indulging in a few witty remarks. Such a title tends to beg the question of whether or not the album really is “all good.” The vocals are all good, to be sure. Joe Nichols has already proven himself to be one of mainstream country music’s best male vocalists, and on his newest effort, his performances do not disappoint. The production, likewise, is consistently solid. Producers Mark Wright and Buddy Cannon back Nichols with arrangements that sound easily accessible and radio-friendly, while laced with traditional country trimmings of fiddle and steel, and it certainly is enjoyable to hear country music that is sonically recognizable as such.
How to put it? I would listen to this man sing about IBS. I would listen to him sing a long-form denunciation of my inherent value as a human being – possibly my mother’s and little sister’s, too. Chris Young’s baritone is like the aural incarnation of warm fuzzies, and most everything it touches/fuzzes goes down easy – even those lame, creaky-hinged Music Row assembly songs scattered across Young’s first two albums.
So, granted: This single was probably going to sound all sexy-cool no matter what. Happily, though, we can all enjoy with a little less cognitive dissonance this time, because “Tomorrow” makes a serious play at substance. Young is finally a radio star now, and he’s using his powers to inject some actual psychological complication back into the format.