100 Greatest Men: #65. Asleep at the Wheel
100 Greatest Men: The Complete List
It’s an old saying that Ray Benson most certainly would agree with: “It don’t mean a thing if it ain’t got that swing.”
100 Greatest Men: The Complete List
It’s an old saying that Ray Benson most certainly would agree with: “It don’t mean a thing if it ain’t got that swing.”
100 Greatest Men: The Complete List
For casual fans of country music, Johnny Paycheck was a one-hit wonder who spent a good chunk of his life in jail. For those who know better, he was the greatest of the Outlaw singers and the definitive honky-tonk voice of his time.

The Little Willies
For the Good Times
After having first formed in 2003, The Little Willies released their self-titled debut album in 2006, four years after pianist and vocalist Norah Jones had found success with her jazz and pop flavored solo album Come Away With Me.
Six years later, a second Little Willies album finally comes to light, following in the tradition of the first by featuring covers of country classics. For the Good Times finds The Little Willies covering classics songs by some of country music’s most revered (and most covered) artists, including nods to Willie Nelson, Johnny Cash, Hank Williams, Lefty Frizzell, Loretta Lynn, and Dolly Parton, among others.
100 Greatest Men: The Complete List
Known affectionately as the Tall Texan, Billy Walker was a B-list hitmaker at radio, but an A-lister on the Grand Ole Opry stage and on syndicated television.
Written by Bob Losche
Texas Songbook is the latest album from country/blues singer/songwriter Gary Nicholson, a recent inductee into the Texas Songwriters Hall of Fame. Nicholson is best known for writing familiar radio hits such as”The Trouble With the Truth” (Patty Loveless), “One More Last Chance” (Vince Gill), “Squeeze Me In” (Garth Brooks/Trisha Yearwood), and “She Couldn’t Change Me” (Montgomery Gentry), among many others.
It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!
Should Win
Will Win
It’s hard to believe that there once was a time that country artists put out two full-length albums a year. If they were part of a regular superstar duet team, like Conway Twitty & Loretta Lynn or Porter Wagoner & Dolly Parton, a fan might hear as many as four new studio albums from their favorite artist.
By the time that I got into country music – twenty years ago, natch – things had slowed down a bit. Artists usually released a new album every 12-18 months. Sometimes they’d push it to two years, but not often.
Those were the days. Waits between album releases have gotten crazy lately. I’m all for taking the time to get it right, but once we push past the half-decade mark, things have gone too far. Sure, we’re given side projects to carry us over, but there’s no substitute for a full-length studio album of all-new material.
Here are five artists who I’d really love to see make a long-awaited return with a new album in 2011, along with a brief rundown of the side projects that they’ve been busy with while we’ve waited for that new album:
Four generous hits collections were released in 2010, each one chronicling the entire career of a contemporary country music star. Individually, each double-disc set serve as the most expansive and thorough compilation for each artist. Taken together, they tell the story of country music over the last twenty years.
In the late eighties, Randy Travis did something that no other country star had done before. He became the top-selling country artist by a wide margin without making any musical concessions to pop or rock. In doing so, he tore up the old playbook. Suddenly, you could be a multi-platinum country artists without the added benefit of top 40 radio or accolades from the rock and roll press.
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