Kevin John Coyne

Chely Wright Six Pack

August 20, 2009 Kevin John Coyne 26

It seemed like Chely Wright was on the cusp of stardom for her entire career, releasing several albums in the nineties that garnered enough interest to keep her signed but not quite enough to make her an established star. She finally scored a big hit when “Single White Female” went #1, and the album of the same name would eventually be certified gold.

But she wasn’t able to maintain the momentum with her follow-up project, and that #1 hit remained her only trip to the top ten. In recent years, she released an outstanding EP called Everything and a full-length album called The Metropolitan Hotel which was one of her most consistent efforts.

“The Love That We Lost”
from the 1996 album Right in the Middle Of It

Her biggest pre-MCA hit was remarkably intriguing, especially on the first listen when you’re trying to figure out what she’s looking all over the house for.

Deana Carter Six Pack

August 20, 2009 Kevin John Coyne 9

Deana Carter was one of the first post-Shania Twain female country stars, and she quickly proved she could sell in big numbers. Thanks to the omnipresent smash “Strawberry Wine”, she soon owned a debut album that went platinum five times over.

Radio and retail weren’t as kind to her follow-up projects, and she’d establish a pattern that would later be repeated by Gretchen Wilson – big hit, big debut, sophomore slump, third-album bomb, go indie. Her more recent albums are worth checking out, but acquaint yourself with these major-label essentials first.

“Strawberry Wine”
from the 1996 album Did I Shave My Legs For This?

In an instant, Carter became a star. She was nominated for five CMA awards on the strength of this hit. She won Single of the Year, and Matraca Berg and Gary Harrison shared Song of the Year.

BlackHawk Six Pack

August 19, 2009 Kevin John Coyne 10

A group of veteran industry songwriters and performers came together as BlackHawk, and were quickly signed to Arista Nashville, a label that had already had success with Exile and Diamond Rio. Their debut album was a smash, selling double-platinum and spawning five hits.

The band wasn’t able to match that success with future projects, despite scoring a handful of hits from their next three albums. Their sophomore set managed to sell gold on the strength of lead single “I’m Not Strong Enough to Say No”, but future projects would miss that mark. The act also left a bad taste in the mouth among some industry members when they publicly complained that less successful acts were winning Vocal Group over them, a blatant reference to The Mavericks.

Still, they produced some great songs that any casual fan of nineties country will be familiar with.

“Goodbye Says it All”
from the 1994 album BlackHawk

Their debut single demonstrated their ease at crafting hooks tailor-made for country radio.

The Mavericks Six Pack

August 19, 2009 Kevin John Coyne 20

Even though they never made it into heavy rotation on country radio, The Mavericks were still one of country music’s most lauded bands in the mid-nineties. The CMAs named them Vocal Group in both 1995 and 1996, and they won similar honors from the Grammys and the ACMs.

Despite not reaching the top ten with a single, they enjoyed a platinum-selling and a gold-selling album. In Canada, their albums continued to reach the gold threshold. “Dance the Night Away”, which barely dented the country chart in America, was a sizable hit in the United Kingdom. Lead singer Raul Malo has gone on to record several solo projects, along with producing other acts, including yesterday’s Six Pack featured artist Rick Trevino.

“What a Crying Shame”
from the 1994 album What a Crying Shame

Essentially their breakthrough hit, it found them ditching the political themes of their debut album for Orbison-channeling heartbreak instead.

“O What a Thrill”
from the 1994 album What a Crying Shame

A wonderfully romantic ballad that’s remarkably sophisticated.

Wade Hayes Six Pack

August 18, 2009 Kevin John Coyne 27

Wade Hayes He could’ve been – heck, still could be – one of the genre’s great traditional vocalists. The depth of his baritone was matched by its nuance, making Josh Turner sound like an amateur in comparison. Here’s hoping he’ll resurface sometime soon, since he could blow most of today’s young guys out of the water.

“Old Enough to Know Better”
from the 1995 album Old Enough to Know Better

A twenty-something anthem that exudes youthful energy.

“I’m Still Dancin’ With You”
from the 1995 album Old Enough to Know Better

It doesn’t have quite the elegance of “In Between Dances”, but his spin on dance floor loneliness is still effective.

Rick Trevino Six Pack

August 18, 2009 Kevin John Coyne 16

The nineties brought some artists who never became full-fledged stars, but were a heck of a lot more than one-hit wonders, either. One of those was Rick Trevino, who showed great promise with a solid gold-selling debut album. Though he strayed too far down the radio fodder road with his next two projects, that approach still produced a #1 hit in “Running Out of Reasons to Run.”

As is often the case with the young stars of the nineties, his more recent work has been strikingly compelling, even though radio hasn’t played it. Here’s a good sampling of underrated artist Rick Trevino.

“Just Enough Rope (Bilingual Version)”
from the 1994 album Rick Trevino

Trevino’s debut single is best heard in both of his native tongues.

“She Can’t Say I Didn’t Cry”
from the 1994 album Rick Trevino

Collin Raye Starter Kit

August 17, 2009 Kevin John Coyne 24

collin_raye When Collin Raye first surfaced, it seemed like he was a poor man’s Vince Gill. Nice, sweet vocals but not much depth. However, he’d reveal himself as having one of country music’s stronger song senses. At his peak, he enjoyed both commercial success and regular Male Vocalist nominations.

Most of this list comes from Raye’s first four albums, all of which were certified platinum. His music started to decline in quality toward the end of the decade, but he still put out some good radio singles. He’s been mostly quiet this decade, releasing albums on independent labels.

Ten Essential Tracks

“Love, Me”
from the 1991 album All I Can Be

One of country music’s finest tearjerkers. It put Raye on the map as a balladeer to be reckoned with.

Josh Turner, “Why Don’t We Just Dance”

August 15, 2009 Kevin John Coyne 10

Josh Turner Country music isn’t exactly known for its exultations to hit the dance floor, so it’s no surprise that this dance request is directed at his wife. Turner is charming as ever, even if he has a bit of trouble keeping up with the beat as he tosses off the lyrics.

It’s about as deep as Vegas rainfall, something that you could imagine Mel McDaniel singing back in his prime. Turner doesn’t sell this quite as well as McDaniel would, but he comes close enough. Regardless, it’s nice to hear his voice again.

Sawyer Brown Starter Kit

August 14, 2009 Kevin John Coyne 13

My favorite band of the early and mid-nineties was Sawyer Brown. Former Star Search winners, they had a decent run of hits in the eighties, though their early albums are legendarily awful. But they found their artistic voice when lead singer Mark Miller began writing with Mac McAnally. Many of their biggest and best hits were written by one or both of them.

The end result was that Sawyer Brown became one of the only country acts that broke out in the last few years of the eighties to actually become far more commercially successful in the nineties.

Ten Essential Tracks

“The Race is On”
from the 1989 album The Boys Are Back

So much of their eighties work was disposable, but there’s a surprising charm to this revved up take on the George Jones classic. Even the Possum himself was a vocal fan of it.

Tracy Byrd Starter Kit

August 11, 2009 Kevin John Coyne 13

tracy-byrd1 One of the side effects of the nineties boom was that every Nashville label started looking for young male acts that looked good in a Stetson and could sing with an accent.

The end result was that some solid talent was discovered a bit too early, before they’d fully refined themselves into artists. Tracy Byrd’s a great example of this. Only 25 years old when his first single went to radio, Byrd had been plucked from the Beaumont, Texas music scene that had groomed Mark Chesnutt.

Byrd’s hit material from the nineties was reflective of what the B-list hat acts recorded during that era, though his vocal charm helped him elevate middling songs from time to time. He also turned in a few gems, with his music getting far more consistent as he entered his thirties.

His last studio album, 2006’s Different Things, was excellent, but radio had already moved on to the new twentysomethings at that point, artists who will probably be making better music a decade from now and being overlooked for the new, new twentysomethings.

Ten Essential Tracks:

“Holdin’ Heaven”
from the 1993 album Tracy Byrd

When surprisingly strong sales greeted the release of Byrd’s debut album, radio jumped on board. This catchy tune briefly knocked Garth’s “Ain’t Goin Down” out of the top spot, though Brooks would return to #1 a week later.

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