Olivia Newton-John North Fork Theatre Westbury, NY November 8, 2006 Since returning to regular touring in 1998 after an eighteen-year hiatus, Olivia Newton-John has been performing internationally every year. As one of the most popular
I knew it must be bad when the pop stations in New York City were chattering about Faith Hill being a sore loser at the CMA’s. CMT has even written a remarkably serious news story
10:58 Yeesh, you guys shattered the daily traffic record for this site in three measly hours. I need to live blog more often. Let’s end with watching B&D once again not know how to fill
Here are our final predictions and comments on the 2006 CMA Awards, which airs live on ABC at 8 Eastern/7 Central on Monday, Nov. 7. Check back at the beginning of the show for live-blogging
#40 Girl of Your Dreams Bobbie Cryner 1996 Cryner’s achingly honest writing on the best of this album’s tracks rivals the greatest music to come out of Nashville during this era. Her nuanced portraits of
#50 Seminole Wind John Anderson 1992 The comeback album to end all comeback albums. Anderson resurfaced with a new label and suddenly hit the top of the charts again, despite all of the competition surrounding
#60 Songs for the Daily Planet Todd Snider 1994 Snark hit country music in full-force when Snider made his kick-ass debut album. Produced by the usually timid Tony Brown, Snider’s sharp wit tackled everything from
#70 Little Love Letters Carlene Carter 1993 Carter honed her rockabilly-tinged style on the follow-up to her hit album I Fell in Love, and while there was only one hit this time around (“Every Little
Alzheimer’s Disease may seem an unlikely topic to deal with in song. It’s certainly difficult to deal with in a way that isn’t too maudlin or melodramatic, and the sensitive nature of a degenerative disease
#80 Brand New Man Brooks & Dunn 1991 Their monster debut album is still their most memorable, mostly because the formula sounded so fresh the first time out. There’s a contagious energy to the production