Miranda Lambert – Page 25 – Country Universe

The 201 Greatest Singles of the Decade, Part 9: #40-#21

December 23, 2009 Dan Milliken 24

The 201 Greatest Singles of the Decade, Part 9: #40-#21

#40
“This Is Me You’re Talking To”
Trisha Yearwood
2008
Peak: #25

Flawless. Proof positive that the nineties formula at its best is better than anything on naughties radio. Perhaps they can’t play it too much for that reason. It’s not good for business to park a new Lexus in a used car lot of Ford Pintos. – Kevin Coyne

#39
“Famous in a Small Town”
Miranda Lambert
2007
Peak: #14

This is one of those slice-of-life songs that anyone from a small town can easily relate to. What sets it above the pack of songs of that ilk is the witty nugget of truth that “everybody dies famous in a small town.” The Springsteen-esque vibe of the production is pretty cool, too. – Leeann Ward

The 201 Greatest Singles of the Decade, Part 7: #80-#61

December 21, 2009 Dan Milliken 17

The 201 Greatest Singles of the Decade, Part 7: #80-#61

#80
“When Somebody Loves You”
Alan Jackson
2001
Peak: #5

A treasure of a love song. Contrasted stunningly with modest accompaniment and vocals, the song’s message is that of love’s sublime ability to transform one’s life and bring light to dark. – Tara Seetharam

#79
“Separate Ways”
Rick Trevino
2007
Peak: #59

“Separate Ways” is an instructive narrative of a couple who did everything together, but “the last thing they did together was go their separate ways.” Fortunately, the song’s narrator learns from his parents’ divorce and wisely applies its valuable lesson to his own relationship. – Leeann Ward

The 201 Greatest Singles of the Decade, Part 1: #201-#181

December 13, 2009 Kevin John Coyne 19

hourglass This was the decade that brought back the single. Not that it ever fully went away, as radio still played the promotional ones and video outlets the filmed ones. But actual commercial singles had gone the way of the dodo, until the digital revolution suddenly made them practical again. Why buy the whole album when you can just get the song that you want?

The devastation this has brought to record company bottom lines was probably unavoidable anyway, given the realities of post-Napster society. But technology has its perks. Now you can buy the songs on this list with a click of our mouse!

And what a list it is: 201 singles that run the gamut, from genuine hits that topped the charts to songs spun only by renegade DJs working the night shift. Here’s how we compiled it: four Country Universe writers ranked their personal favorite 100 singles, with an inverted point system applied (#1 on a list meant 100 points, while #100 on the list meant 1 point.) The songs were then ranked by number of total points, greatest to least. Ties were broken by the number of lists the song appeared on, then by highest individual ranking.

There was more consensus than usual for CU, and we all agreed on one thing: this list was a heck of a lot of fun to compile. We hope you enjoy it, too!

The 201 Greatest Singles of the Decade, Part 1: #201-#181

201 Lady A

#201
“I Run To You”
Lady Antebellum

There’s a palpable intensity to this song that grips me every time I listen to it. Love isn’t always characterized by peacefulness, and the song’s pulsing production perfectly conveys the urgency, desperation and passion that often accompanies it. – Tara Seetharam

200 Patty Strong

#200
“The Last Thing on My Mind”
Patty Loveless

Given her allegiance to country music’s history and personal association with both Porter Wagoner and Dolly Parton, you might think this was a cover of that duo’s first top ten hit. Instead, it’s a very modern-sounding song with a modern-day woman who never thinks about the guy she’s left behind until right before she goes to sleep, when “something in my broken heart rewinds” as she lies in an “empty bed as big as Arkansas.” – Kevin Coyne

Recommend Ten Tracks: 2009 Edition

December 12, 2009 Kevin John Coyne 17

2009 Can’t say that I’m loving country music in its 2009 version, though my steadfast allegiance to the genre runs deep, so I hold out hope as a new decade is about to begin. Tonight, I’m recommending ten tracks from albums that were released this year. I’ve avoided singles so there’s some sense of discovery. I look forward to discovering music that I missed through the comments!

Recommend Ten Tracks: 2009 Edition

Lorrie Morgan, “I’m Always On a Mountain When I Fall” from A Moment in Time

I love the effect that was created by having this album recorded live in the studio. It’s like hearing her in a smoky nightclub. This is by far my favorite track on the album, a loser’s lament that was quite worthy of revival.

Aaron Tippin, “Prisoner of the Highway” from In Overdrive

He already has the default voice of the overworked working man, so his world-weary vocal is a perfect fit for this song about an imprisoned by the freedom of the road.

The 100 Greatest Albums of the Decade, Conclusion: #10-#1

December 10, 2009 Kevin John Coyne 45

The 100 Greatest Albums of the Decade, Conclusion

As we come to the end of our list, the top ten selections are a lot like the ninety before them, with perhaps a bit more of a roots leaning overall. If you didn’t see your favorite on the list, or just want to discover more great music that you might have missed, be sure to check out the list at The 9513, if you somehow haven’t done so already. Even better, start a blog and write your own list. It feels like a lot of barriers fell within country music this decade, and I think one of the best walls to come down was the one between music journalism and the listening audience. I hope in the next decade, a lot more readers become writers, so we can all keep reveling in the music we love and helping others discover it.

Sappy introduction aside, here’s our top ten of the decade:

#10
Patty Loveless, Mountain Soul

Imitation is the sincerest form of flattery, and few albums have inspired more imitation than Patty Loveless’ Mountain Soul. Bluegrass music full of roots influences, Mountain Soul, with its traditional sound, has become a surrogate definition of authenticity for mainstream artists returning to their musical beginnings. Standout songs include “Cheap Whiskey,” a classically dark drinking song; the energetic “The Boys are Back in Town,” with its WWII imagery; and “Soul of Constant Sorrow,” based on the traditional work popularized by the Stanley Brothers. – William Ward

Recommended Tracks: “The Boys are Back in Town”, “Cheap Whiskey”, “Soul of Constant Sorrow”, “You’ll Never Leave Harlan Alive”

100 Greatest Albums of the Decade, Part 2: #90-#81

December 1, 2009 Kevin John Coyne 17

The 100 Greatest Albums of the Decade, Part 2

#90
Miranda Lambert, Kerosene

On her first major-label album, Lambert reveals herself as a fiery, spirited artist with a lot to say, and a clever voice with which to speak. Her sharp songwriting skills, though a work in progress as we’d later learn, take her naturally from aggression to desolation and back again. But most notably, through Kerosene, Lambert got the traditionalists to pay a little more attention to mainstream country music and its more promising artists. – Tara Seetharam

Recommended Tracks: “Kerosene”, “I Can’t Be Bothered”

#89
Kris Kristofferson, This Old Road
This Old Road has not have received as much mainstream attention as Kristofferson’s recent appearance in Ethan Hawke’s Rolling Stone article; an unfortunate fact, given it was the legendary writer’s first album of new material in 11 years. With This Old Road Kristofferson shines a spotlight on the world much in the same his earlier writing shined a spotlight on himself. The result is an overtly political album with more depth than most modern attempts have been able to produce.- William Ward

Recommended Tracks: “The Last Thing to Go”, “Pilgrim’s Progress”

CMA Awards: Predictions and Personal Picks

November 8, 2009 Kevin John Coyne 83

The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.

Entertainer of the Year

Should Win:

Kenny Chesney
Brad Paisley – Leeann, Tara
George Strait
Taylor Swift – Kevin, Dan
Keith Urban

Will Win:

Kenny Chesney
Brad Paisley – Kevin, Leeann, Tara
George Strait
Taylor Swift – Dan
Keith Urban

Kevin: Much like the field finally cleared for him in the Male Vocalist race two years ago, I expect that this is Paisley’s year to win with his sixth nomination. I think Taylor Swift deserves to win, though. There’s no getting around the fact that she’s the biggest thing out there right now.

Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.

Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.

Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.

The Worst Singles of the Decade, Part 1: #50-#41

October 21, 2009 Kevin John Coyne 61

Worst Singles As we begin our look back on the last ten years in country music, we’re starting with the bottom. Over the next few days, you’ll be reading about the worst that country music sent to radio in the 2000s, much of which they actually played.

But first, a disclaimer. This list makes no attempt to objectively list the worst singles of the decade. If that’s what I was going for here, I’d just post a collection of homemade tracks and twenty Rascal Flatts singles and call it a day. Instead, this list takes a broader view, including songs from accomplished artists that were just disappointing, copycat and fad-chasing numbers, and just plain old mediocre efforts.

This isn’t the type of thing we normally do, but I’m sure I’ll hear what I’m right about, what I’m wrong about, and what I forgot to include in the first place! Look for the best-of lists to follow as the year starts winding down.

The Worst Singles of the Decade, Part 1: #50-#41

#50
Mark Wills, “19 Somethin'”

Pick a decade, man.

#49
Toby Keith, “Who’s Your Daddy?”

The biggest casualty of Keith’s ascent to superstardom was his quality check. When your label lets you put out anything and radio goes ahead and plays it, the blame must be spread around for such silliness as this.

#48
Halfway to Hazard, “Daisy”

In which a girl’s sole reasons for existing are to make a boy a man, lead him to God, and give him a child. After that, you can just kill her off in the final verse. This is why people hate country music.

Say What? – Carrie Underwood

October 17, 2009 Kevin John Coyne 12

Carrie Underwood 09 As reported by Billboard, Carrie Underwood’s response to being offered a free copy of Miranda Lambert’s new album, Revolution:

No. I’m going to buy it.

Gotta love that!

Billboard’s been previewing some new tracks from Underwood’s upcoming third album, Play On. I’ve found “Temporary Home” and “Mama’s Song” to be far more promising previews of the new set than lead single “Cowboy Casanova.”

Check out the entire interview with Underwood here.

Miranda Lambert, Revolution

September 30, 2009 Leeann Ward 19

Miranda Lambert
Revolution

Miranda Lambert is a rare and fascinating case study of an artist who is able to push a significant number of records out the door, but is hard-pressed to receive equally significant radio airplay in return. While her first album, Kerosene, was certified Platinum and the follow up project, Crazy Ex Girlfriend, fared similarly well with Gold certification, she has only managed to squeak into radio’s top ten once with “Gunpowder And Lead.” On her third album, Revolution, it is entirely possible that Lambert has finally found a way to strike the tenuous balance of pleasing both critics and the general country music listening public with her album consisting of everything from sensitive ballads to rocked up, punk-flavored songs and a lot in between.

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